My Acrylic Painting and Papier Maché Creations
In 1999, I began a technique in which I attach support structures to a prepared canvas and cover the structures with papier maché. Then I paint the entire surface (canvas and papier maché) with acrylic paints. So far, I have created only two projects of this type as it is a tedious process. Knowing what I know now, I would not have used a flour-and-water paste to do the papier maché part because since their creation, both of my sculptures made in this manner have been attacked by this horrible insect that eats natural items.
My Family Tree
|Family Tree, December 1999|
The most extensive piece of work I've done of this type is my Family Tree. It took over 100 hours to complete and is one of the most personal works I've ever created. It depicts my face, divided into three sections (each one tinted one of the three primary colors of light---green, blue and red) overlaying the moon. A dragon swoops past. There are pictures of my parents and both sets of grandparents, including my step-grandfather. Photos were modified in Photoshop. Older photos needed touching up from wear (as I preferred pictures of my grandparents in their younger days for this piece). I added effects to my parents' photos for a more surreal effect. Planters are built into the tree roots so that living plants can thrive in the sculpture. The roots of the tree spell out the word "love." Below are some close-ups of different areas of the tree taken in 2006 (so there is a bit of dust and a few branches have cracks). I currently use the tree to display my Pysanky, so you will see some of them in these photos.
Click on any image below to see a larger view.
Here is a brief explanation of the process used to create the Family Tree.
Step 1: At this point, I had already done the painting on the canvas. In the future, I would do this later since it was difficult to keep it clean while doing the papier maché part. Window screening was sewn into place with thick carpenter's thread and tied around the canvas frame for stability. Real tree branches and wires were used for the foundation. Pots to put the live plants were secured in place.
Step 2: Next, everything was covered in papier maché. I used a simple flour and water paste and applied paper towels and toilet paper for smaller areas. Photos of relatives were also added at this time. However, If I were to do this again, I would probably insert them later. I had to cover them with plastic wrap to prevent the papier maché from getting on them.
Step 3: Then, self-drying clay was added and carved into, creating a bark-like texture. After it had dried completely, acrylic paint was used to create color variations. Not shown is the last step in which a hot glue gun was used to attach dried moss and flowers.
Here is the final product, although I can't seem to get any good photos of this work. I made the second scan by attaching a lot of pictures together. It shows a little more detail than the first picture though.
The Vegetanimal from Outer Space
This is the Vegetanimal From Outer Space. It was created in a similar fashion as the Family Tree, but only took me 33 hours to complete. I took a lot more pictures of the process this time. Click the link below to see how it was created. It was completed in the spring of 2004.
The Making of the Vegetanimal from Outer Space
Paintings on Canvas
The previous works incorporated acrylic painting with papier maché. The only regular acrylic paintings I've created were from my first year of college. A couple examples are shown below:
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